Behind
the Smile: My Journey out of Postpartum Depression
by Marie Osmond, Marcia Wilkie and Judith Moore, M.D.
Behind the Smile
From this angle, you can see right up my
skirt.
I learned at an early age how a young woman
protects her image. If she's "sitting like a lady," no one can
see up her skirt.
I'm not "sitting like a lady"
now. I'm collapsed in a pile of shoes on my closet floor. Around and above
me hangs my clothing, which is all I can see as I lean against the back
wall of the closet. I can see straight up one of my skirts on a hanger
right over my head. It looks like a long, dark tunnel with the exit sealed
off. It looks like my life right now.
The skirt goes with one of my favorite
suits. I've worn it to several happy occasions. I can recall the events,
but I have no memory of what it feels like to be happy.
I sit with my knees pulled up to my chest.
I barely move. It's not that I want to be still. I am numb. I can tell I'm
crying, but it's not like tears I've shed before. My eyes feel as though
they have moved deep into the back of my head. There is only hollow space
in front of them. Dark, hollow.space. I am as empty as the clothing
hanging above me. Despite my outward appearance, I feel like a lifeless
form.
I can hear the breathing of my sleeping
newborn son in his bassinet next to the bed. My ten-year-old daughter,
Rachael, opens the bedroom door and whispers, "Mom?" into the
room, trying not to wake the baby. Not seeing me, she leaves. She doesn't
even consider looking in the closet on the floor. Her mother would never
be there.
She's right. This person sitting on the
closet floor is nothing like her mother. I can't believe I'm here myself.
I'm convinced that I'm losing my mind. This is not me.
I feel like I'm playing hide-and-seek from
my own life, except that I just want to hide and never be found. I want to
escape my body. I don't recognize it anymore. I have lost any resemblance
to my former self. I can't laugh, enjoy food, sleep, concentrate on work,
or even carry on a conversation. I don't know how to go on feeling like
this: the emptiness, the endless loneliness. Who am I? I can't go on.
But I do. I have a house full of people who
depend on me. I have a baby to take care of, children who need me, a
husband, friends, and family who all expect me to get back to my regular
life and obligations.
Somehow, I find myself standing up again. I
pull something out of the closet to wear. I run a washcloth under the
cold-water faucet and press it to my face. I manage mascara and some
lipstick. My mother always said, "No matter what, always put on
lipstick." I do. I change the baby and wrap him in a blanket. I feel
exhausted just doing these simple things.
I go downstairs to my world, which feels
like a prison. My oldest son, Stephen, is shooting baskets in the driveway
with his cousin. My eight-year-old, Michael, has a new piece of artwork he
wants me to tape on my bedroom door, next to the fourteen other drawings.
My one-year-old daughter, Brianna, grabs me enthusiastically around the
knees. There is a woman standing in the living room. Rachael introduces
her as our new next-door neighbor who has stopped over with a plate of
goodies as a welcome gift. I have fifteen messages on the answering
machine saying, "Congratulations on the new baby," "When
can you come to the office?" "Can we set up a photo shoot?"
There is a pile of bills, business mail, and FedEx packages waiting for my
attention on the dining room table. My two-year-old knocks over a basket
of laundry, and it rolls down the stairs. The baby cries. He wants to be
fed.
That's when the "Marie Osmond"
persona kicks in. I smile. I was trained in my entertainment upbringing to
smile constantly when I'm around other people, and now it's as natural to
me as breathing. Rule number one: I am here to make sure that everyone
else is happy. It's my job.
I smile at my little artist. I smile at my
new neighbor and my daughter. I smile at my toddler. I smile about the
phone calls, the overflowing mail, and the laundry scattered on the steps.
I lift the baby over my shoulder, pat his back, and I smile.
My smile stays on my face even though my
eyes feel like they sink farther back in my head. My body aches from my
forehead to my feet. It is sabotaged with fatigue. My throat tightens to
choke off unwanted emotions. I have no idea what to do next. I am a
stranger in my own life. But I'm still smiling, which lets everyone know
that I'm fine. "Marie Osmond" is always "fine."
No one guesses the truth. They can't see
that I'm in a constant spiral, spinning into gloom. I feel it's inevitable
that I will hit bottom. I thought I had been there before, but this feels
so much lower. Right now, all my thoughts and feelings are locked away. I
wish I could toss away the key and it would all be over. But it's not so
easy. My smile is like a two-way mirror. I can see out, but no one can see
in. No one sees what is going on behind the smile.
The Osmonds began performing as a family in
the early 1960s, years before my brother Donny and I were even school age.
My father managed my four older brothers, Alan, Wayne, Merrill, and Jay,
who toured as a singing quartet. This often left my mother home alone with
Virl and Tom, my two oldest brothers, who are hearing impaired, Donny and
me, who were preschoolers, and baby Jimmy.
At that time there were advertisements for
a product called Compoz. Appropriately named, it was a pill marketed to
frazzled homemakers and mothers. I don't know what the main ingredient
was, but the commercials were catchy enough to make any woman looking for
a little peace of mind want to rush off to the drugstore and stockpile it.
Donny and I were rambunctious playmates who
never gave our mother a moment of rest. We couldn't possibly sit quietly
with a book or a board game. We never spent an hour together without
devising a major plan of action. It wasn't fun or worth our time unless
there was physical activity involving digging, stringing something up,
flooding, capsizing, leaping, leveling, or capturing. If we were awake,
then som-thing was always shaking and moving. My poor mother had to deal
with our energy and imaginations. She'd find her shoes full of peanut
butter, her best blankets being used as pirate ships in the mud, and her
necklaces and bracelets buried in the yard as the pirate "loot."
Unfortunately, we once lost the loot when our marker blew away, and the
family spent the entire day digging up a freshly tilled half acre of land
looking for Mother's jewelry box. Captain Marie and First Mate Donny
didn't have imaginary parrots sitting on our shoulders anymore. We had our
very real father breathing down our necks.
You've heard the expression "What goes
around, comes around," and it sure came back around for me with my
own two toddlers, Brandon and Brianna, who are only a year apart in age. I
call them Pete and RePete. They are pressed from the exact same mold Donny
and I were. Brandon is full of energy and daring feats, and Brianna is
outspoken and can slyly maneuver her brother to do anything she wants.
Hmm... I wonder where she learned that technique? My mother offers no
suggestions. She just smiles. I'm pretty sure she's enjoying the payback.
(By the way, Mother, remember the fire that started in the field next to
our house that hot summer day? It wasn't the heat.)
One afternoon, when I was three and Donny
was five, my mother left us unattended, for what I'm sure was only a total
of three minutes, to step outside to the clothesline and take down the six
dozen pairs of socks and three loads of T-shirts we went through every
week. I don't remember the crime Donny and I committed that particular
day; I just remember her being very angry when she came to check on us, so
it must have been a household felony. We probably did some type of
structural damage to the house. Believe me, the two of us could compete
with any natural disaster.
Donny and I knew we would be in trouble, so
we hid by crawling up on the stools under the kitchen table. We lay
silently across two or three stools, holding our breath, hoping not to be
found. I remember watching my mother's legs walk into the kitchen and
hearing her raised voice: "Donny! Marie! Where are you?" My
mother tells me all she heard was my tiny three-year-old voice coming from
under the kitchen table as I whispered to Donny, "She needs some
Compoz."
She laughs about it now, but I wonder how
often she felt overwhelmed by all of her responsibilities. Did she ever
take time for herself, or did her role as "Mother" absorb every
minute of her life? It was a badge of honor then for a woman to remain
composed, like the name of the product, in any situation. Few women would
actually speak of the difficulties of being a female or a mother.
Perfection for women in the sixties was a wrinkle-free skirt and blouse, a
string of June Cleaver pearls, hair styled and sprayed not to move, high
heels, a spotless home, clean-cut kids with good manners, and a happy,
well-fed husband.
My mother was surrounded by men and boys.
She never talked about what she went through as a woman, either physically
or emotionally. I'm sure no one ever asked. She always appeared to be
"fine." Hmm... I wonder where I learned that technique?
I'm in awe when I think about her
life—giving birth to and raising nine children. (My mother washed cloth
diapers for over twenty years!) I always saw my parents as two pillars
holding up the family as well as the business. My mother was a complete
partner with my father in holding the reins on their team of children.
They helped to teach us to have a belief in God and encouraged us to seek
out answers to our questions about religion. As a young girl, I had read
the fundamentals of many religions and chose my belief, not because it was
my parents' religion, but because it answered my questions. It has always
been a source of strength and comfort for me. My parents guided each of us
with intelligence, discipline, and devoted love safely into our adult
years. My mother has always been my role model, and I believe my survival
in the entertainment business is in large part due to my desire to be a
strong woman like my mother. She is my hero.
I can vividly recall what it felt like to
be alone and in a crumpled heap on the closet floor. I remember thinking
that my mother would never have fallen apart like that. I was sure no one
would understand what I was going through. I could have managed the pain.
It was the shame that was destroying me.
Copyright © 2001 by Marie Osmond
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