A
Case for the Public Display of Affection as Deep Ecology
by Portia Brockway
Ecopsychology, or deep ecology, maps
practical pathways into taking care of ourselves by taking care of the
needs of the Earth. The story below follows one couple's excursions into
natural harmony in the city.
He was tired and we were riding the Green
line. He laid his head in my lap and slept. I rested my arms on him and
felt warm. Who could mind? We were simply resting and easing our bodies
and minds together, and yet I felt somewhat on guard around the taboo of
expressing intimacy publicly.
No one commented until three or four
high-school-to-collegiates came on board. There were no words from them, a
few sounds, sweet, slightly sexual, then simply sweet. Ben slept, we
rested, the boys chattered and cajoled. We reached Park Street. The boys
checked Ben's handsome, walking man face as we rose to go. So did I. My
inhibitions had been assuaged for the moment; we had shared non-sexual
physical contact in public without reproach.
We changed subway trains and rode on to our
destination. On return we stood balancing on the shifting metal plates of
the roundabout between subway cars. As we lazily susaned they erupted in
violent rat-a-tat-tats. We stepped off at the first opportunity toward a
single seat. We shared, I perching my body on the red and gold downy hair
of his strong runner's legs. We were reminiscing, projecting,
flitting. We landed on the first grader's sing-song game, "Hands,
fingers, knees, and toes, knees and toes, hands, fingers, knees and toes,
knees and to-o-o-es, eyes and ears and mouth and nose, hands, fingers,
knees and toes, knees and toes!"
Our song washed through the clatter of
conversations. An older woman across the way, a secretary perhaps or a
school teacher, glanced, and glanced again. At first, when she had seen me
perched side saddle on his lap she had looked a tad reproachful. Now she
smiled for it. So did we.
Not everyone is pleased with the public
expression of warmth and humanity, yet people of tribal society have done
this for millennia. These acts of human affection are, for me experiments
in becoming true to myself.
A few days later, we went on to see a movie
at the Coolidge Corner Theater. We were standing by the brick wall where
ticket holders wait. Lines, lines, lines. I wanted to go 3-D. I suggested
a stretch against the burnt sienna outdoor wall by the theater.
The stretch was one I had learned from a
pregnancy book to relax the shoulders by bringing the upper body
horizontal and pressing outstretched arms against a wall. Then we did a
runner's stretch. He touched his head all the way to his knee. I couldn't
reach mine. He congratulated me on having the journey ahead. I showed him
a graceful ballerina barre bend. The door opened and we flowed into the
movie house. Others had been watching our stretches, no doubt. As we
passed into the theater we felt like leaders into wholer ways of waiting.
Finally, the mango story. We had bought it
at the World's Fair in Central Square for a buck from a batik-gowned
African American woman. We picnicked on a quiet embankment behind City
Hall. We were crooned to by the swishing scents of unnamed tree flowers,
cascaded by tiny cool splashes fall- ing from their tilted cups, and
cradle by our own resting bodies. We felt contented.
Our world at the moment was resilient. We
had, unwittingly, through our affection, fallen into Eden, not out, into
the center of the way, into the eye of the storm, into a blessed if
seemingly temporary eternity, calm and brilliant.
We reached for the mango, deep finger-press
ripe under its black-mottle yellow skin. The smell was sweet and mellow.
We walked toward Harvard Square, Ben's hand full with its fecundity,
dessert for us to eat while awaiting his bus. Along a side street in
the Square he plucked off the button and sucked. He held it to my mouth; I
squeezed and swallowed sweetness.
Ben missed his bus. We sat in JFK Park
under the shade. He tore the skin and fed me. I fed him and we devoured
the opened fruit. We savored the sensations that came through the fruit,
the grass, the trees, us. We felt a supple grace arising through our
interaction with a flowering, living Earth. We were yielding to the great
web of sheer process. Our diversions were goal-less, uninhibited by any
required outcome. We felt like children who haven't yet been trained out
of play. We felt like what I imagined people of our world's tribal
societies may feel, people governed by the larger cycles of time, never
obligated, responsible only to nature. Our public acts of open play, rest
and shared sustenance felt healthy. We felt connected to the past, when
more of the world happened around family and friends. Taking the time to
enjoy openly, we may have helped to pivot the madness of a world flying
faster and faster into a slower, more joyful realm.
____________________
Portia Brockway first
practiced yoga at the age of three under her father's instruction. She is
a hatha (physical) yoga instructor, a writer and an artist living and
teaching "yoga in Harvard Square, Cambridge, MA (at Yoga In Harvard
Square). She may be reached at
617-864-YOGA (9642) or visit her website at:
www.yogainharvardsquare.com
This article was originally published in Spirit
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