Ambassador
Of Joy: An Interview With LeRoy White
by Carol BedrosianPlaying
the stage for 38 years with the likes of Ike and Tina Turner, Kiss, Tim
Harden and Herbie Mann, maverick musician LeRoy White says he's received
the best schooling a musician can get. "I'm good at what I do,"
declares LeRoy. "I have an energy source that never ends and I'm the
best LeRoy there is. I say this in absolute power so that I can give you
the best I've got."
LeRoy's rich
background of experience, spirituality and insight has led him to create
the Soul and Conscience Tour for the latter 20th Century featuring his
unique brand of music he calls E.U.N.A (ethnic, urban, new age). His
fusion of jazz, rock, pop, soul, and ambient, underlined by amazing live
percussion offers something for every human living in these times. His
show is a reminder that we are not alone in our quest to free the human
spirit as we move through this world with peace and strength to become
beacons of love for each other. LeRoy's goal is to uplift, inspire and
light the way for us all through music.
CAROL: What is music?
LEROY: I think music is a remembrance of
information. It's the easiest way and the most ancient tradition to get
the information of the elders to the populace.
CAROL: What is this information?
LEROY: That we are One. That we are more
than meets the eye. That we are spirit. The elders in the community in
ancient times would have folks tell parables, stories of sense of self,
sense of the person next to you, sense of the oneness with the earth. And
the layman, the community, so to speak, was able to understand it in a way
that he could apply it to his life. So that is a tradition I am born
under.
CAROL: What tradition is this?
LEROY: That as a musician my job is to pass
the information of the elders of the tribe to everyone.
CAROL Was that a part of your cultural
upbringing?
LEROY: Well, the music was. I grew up in
the projects of Newark, NJ and in the summer we'd put on talent shows.
Anybody bought a refrigerator—a great big cardboard box it would come in—and
we would just gather together very tribal and bang on it with sticks. We'd
bang on it all day until the box was torn apart. There must have been
about 15 boys that all played together that summer. And so there must have
been about 3 or 4 boxes that had come in. When I look back on it now, how
powerful that was and how natural that was and the sense of the big self.
I mean you didn't worry whether your shoes were raggedy or you had no food
or that you were black or whether it was the Korean War or anything. You
were just in that moment. Of course I played for girls and I played for
drugs and I played for status, too. But mostly, it was just you, the
stick, the cardboard box and the community. It was something that we just
did.
CAROL: How would you describe the music
that you do now?
LEROY: At this point, I've been doing this
for 38 years. After a lot of studying and reading. I'm at the point where
I understand that my position is to do exactly what the ancients did. They
took the information and the stories and made them so that everyone could
understand them and say "yes, that's why I am here." Or I've
been through this and I am not alone." I have an acronym for the
music called Ethnic Urban New Age (E.U.N.A.). That is what I've been
calling it for the last 10 years, but in this last year there's been a
change in my life and I'm not sure what the music is called now.
CAROL: Do you feel that maybe these
personal changes are related to larger global changes rising all around
us?
LEROY: Absolutely. To be bold and come
right out, I think this consciousness—we can speak of it in terms of the
Christian tradition—Jesus is coming back. In the mythical tradition the
idea is that Christ is the consciousness and that Christ is coming back as
a remembrance. That idea never went anywhere. I don't think that God is
separate from anything so this Christ consciousness is being remembered
and that is the shift that is happening.
CAROL: What is the Christ
consciousness?
LEROY: Enlightenment, nirvana, Buddha
consciousness, Great Spirit. The expression of God is our true nature.
What we will see is the awareness of things as they really are and the
actual participation in that awareness. Once you remember it, then you see
the world as love, but not as strife; you see it as care but not as
taking; you see it as compassion as opposed to apathy or not caring.
CAROL: How does that translate into our
individual actions?
LEROY: It translates into "I am a
child of God. I'm not fragmented from love." So that means it isn't a
matter of having or have not-ting; it is that you are and the person next
to you is. I don't need to compete with you, I don't need to take from
you, I don't need to be better than you, you're not better than me. We
just are. Once you are aware of who you are and the potential to make that
work, the whole thing shifts. Everything is set in vibrations and your
vibration sends out a sense of remembrance. It sends out a sense of great
love so things happen beyond your mind. When you start to remember who you
are, you behave in a different way which opens up a whole new box of
tools. And the more I remember, the more I get clarity.
CAROL: So this music that you are playing
is creating a vibration that affects people?
LEROY: Yes.
CAROL: What kind of instruments do you
use?
LEROY: Well, I have electronic equipment
and indigenous acoustic instruments. So I play congas, bongos, bells,
shakers and I play E-MU sampling machines. I have lots of sampling
machines that I use. Most of the songs are songs set to empower you.
Sometimes they may bring you to tears. But mostly the idea is to get the
lower chakras moving because that is how we were born: relating to the
space through our physical nature. When the music gets you into a groove,
the information touches your heart and your heart opens deep inside
because it recognizes this vibration is familiar. That is why people from
all different spaces can relate to it. It might be a cord or a word that
goes "Oh my goodness!" I found this is the easiest, most natural
way for me to do what I am supposed to do here.
CAROL: How does this work with the
vibration of racism?
LEROY: Well there is two different things
happening. The first thing is like a spoiled child or the bully. He has to
have one more big fight before he surrenders to change. We're going to see
a couple more things around that. The hate vibration between races has
been around for a long time. So this is like a last scream. On the other
hand there is a lot of talk about diversity and remembering who you are.
That is part of the human evolution. It is part of understanding why
certain things do certain things to you. And you look back at your
ancestors and go "My goodness, this is here because this is how my
tribe behaved."
CAROL: Why do we even have different
tribes?
LEROY: There are different things to be
offered from different parts of this Mother Earth. There are different
looks, different foods, different ideas and they all help each other. The
climate predicts that your skin looks a certain way, your hair is a
certain way, you do certain things, you wear certain clothes and they
become practical things and they are something to contribute to the global
community. Why is that? Because we are all connected. We're just in
different neighborhoods. That's why the word "remember" is
important in my vocabulary. We are remembering that we are One.
CAROL: Why did we develop so much hatred of
each other?
LEROY: You can't just blame it on one
thing, but the most common denominator has to do with the power of
control. It's like, "This is my land, this is my stuff and my stuff
is more important than your stuff." Once you realize it's all the
same stuff, you know the earth doesn't belong to us. We're here sharing
this. Your tears are my tears. A great change is happening. It's happening
to us and as it happens to us then we perceive where we are in a different
way and that is how the changes happen.
CAROL: Individual by individual.
LEROY: Yes. Each person latches onto the
vibration of the One and then the whole world manifests as the One. Once
you realize that there is just one breath, there would be no starving,
there would be no hurting of the children, beating of the wives, jumping
off bridges, starting wars because you realize who you are killing is the
true self. Once you have a relationship of the true self, it goes beyond
words.
CAROL: It seems that we are so far from
that kind of realization. Do you think that will happen within our
lifetime?
LEROY: I think there will be some great
strides, but what I do is not for me. It's for my children's children's
neighbor's, cousin's, children. I wrote a song called "We're The Last
To Cry". I believe that we are the last generation to put up with
this nonsense. I believe that we are the ones who are strong enough. These
souls who chose to be here at this time are strong enough to confront why
these tears have been shed continuously. You can see it in the new crop of
children. Talk to the new crop of children and look at them. Things are
changing.
CAROL: What about all the places around the
world where there is still ethnic cleansing?
LEROY: I know this sounds like a terrible
thing to say, but that is part of a big picture; it is not the whole
picture. I know this may sound a little crazy but these souls have made a
decision that their contribution is to remind us that racial hatred is not
the way we want to go. If I'm chosen to be that message, I might walk out
into the street and someone drives by and shoots me and claims that it is
because of racial tension. Then somewhere, someplace else, maybe sitting
in Timbuktu, that vibration sparks a remembrance for someone else to stand
up and move ten times as fast as I fell to the ground.
CAROL: And to do the work positively.
LEROY: Yes. That's right. I believe there
is spot for each of us where we made a choice to be here way beyond our
names and we will be called upon to make a sacrifice. We made a choice to
be here in this time and space at the changing of the millennium and to
contribute to the work. We have a wider library of information available
to us now than ever before. In the past, just the king and the pope and a
couple other people had the information and it leaked out. Now you can
walk into a store and pick up Spirit of Change and get ancient
information. Why is that? It's because those that are here have a job to
do. That information is here to remind us all.
CAROL: So Hitler's work was part of that
too, and all the people who chose to be part of the centuries of
slavery?
LEROY: That's right. I've always lived in a
space that there was something else going on. I've been the brother from
outer space for a very long time.
CAROL: Where do you see yourself going from
here?
LEROY: The bigger goal is to do my job and
be a worthy servant. To get the information out without me getting lost in
the process.
CAROL: How would you get lost?
LEROY: Well, I've been doing this since I
was 13 so I can wind up doing it for the prestige, the money, the
applause, for drugs, for women, for all the things that are temporal. So
the process is for me to stay in school and to take responsibility for my
position and to keep remembering and to keep falling down and getting up.
That is a 24 hour thing.
CAROL: How did the name Soul and Conscience
Tour arise?
LEROY: Because everybody has a soul and
everybody has a conscience. In playing the music we go on a tour of our
soul and our conscience.
CAROL: Do you have experiences where people
just didn't get the music?
LEROY: No, I've had experiences where
individuals didn't get it and would just get up and leave, but that is
their process. I figure you are going to get it one way or another. If it
stirs you and you like it and if it stirs you and you don't like it you're
still getting it. You're getting something.
CAROL: Is there a big difference between
doing it for five people or five thousand people?
LEROY: No there really isn't. If I went by
the numbers, my ego would get in the way. It would be like "Oh,
there's only ten people here so I'll give them ten peoples' worth and if
there's 5,000 Igive 5,000 worth. For me to come to terms with my ego, if
there's one or a thousand, it's the same because you're playing to spirit.
I've learned what it's all about is to just be still. Just be.
_____________________
Carol Bedrosian
is the Publisher and Editor of Spirit of Change Magazine which is
located in Grafton, MA. To contact Carol call 508-839-2228, fax
508-839-1173 or email her at SpiritPub@aol.com.
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